Tra tutte le figure di inversione, ma anche complessivamente nell’ambito di tutta l’analisi grafica, il testa e spalle è uno dei pattern grafici più affidabili. Secondo alcuni autori la figura in questione è la più potente tra tutte quelle riscontrabili su un grafico. Il testa e spalle si presenta alla fine di una tendenza al rialzo e al suo perfezionarsi il trend diviene ribassista. La figura si sviluppa su tre massimi consecutivi con il secondo massimo più alto del primo e il terzo più basso del secondo. La logica che sta alla base della formazione è semplice. Il prezzo non riesce a confermare la sua forza, non crea nuovi massimi e il trend si deteriora. La successione di massimi e minimi crescenti, una dinamica fondamentale per definire un trend rialzista, viene condizionata. Non a caso il primo massimo è chiamato “spalla” (sinistra) il secondo massimo è la “testa” e il terzo massimo è la “spalla” (destra). Sharon Irish slirish (at) gmail (dot) com DEGREES 1985 Ph D, Northwestern University, Evanston, Illinois, Art History 1982 MA, Northwestern University, Evanston, Illinois, Art History 1976 BA, University of New Mexico, Albuquerque, New Mexico cum laude in Art, magna cum laude in General Studies CURRENT Retired, independent researcher SELECTED LECTURES AND PRESENTATIONS “Stephen Willats’ , New York City, February 15, 2017 “Stephen Willats and the Performance of Information Flows,” Computer Arts Society, London, U. K., May 9, 2016 ”Predictive and Prescriptive Thinking: Considering Stephen Willats,” Anticipation Research Group, University of Bristol, Bristol, U. K., April 28, 2016 “Coded Landscapes: Stephen Willats’ Place-Based Work in the UK,” Museo Tamayo, México, D. F., February 10, 2015 “Fem Tech Net,” With Radhika Gajjala and Alexandra Juhasz, Fem Tech Net Video Dialogue on “Place” November 14, 2013, Pitzer College, Los Angeles, CA Central Library Reinvented, May 8, 2013, St. Louis Public Library” Network 45-plus: Post-War Architecture in Europe: Community Spaces: Conception, Appropriation, Identity, September 8, 2012, Technische Universität Darmstadt, Germany, “Two Doves to Tower Mosaic: Artists in Public at Warwick and Brindley Estate, London” Visual Studies Colloquium, November 3, 2011, Illinois State University, Bloomington-Normal, IL, “Positionality, Performance, Participation: The Art of Suzanne Lacy” Rewire: the 4th International Conference on Media Art Histories, September 28-30, 2011, Liverpool, UK, “The Socio-spatial Practice of Artist Stephen Willats” Tryk Tryk Tryk Gallery, June 18, 2011, Copenhagen, Denmark, “Traversing Art: Works by Suzanne Lacy” (book talk) Erasing Boundaries: Service-Learning in Landscape Architecture and Architecture, April 30, 2011, New York City [Poster] “Spaces of Connection: Designing a High-Tech Collaborative Space for Youth,” with Deven Gibbs, Martin Wolske and Debarah Mc Farland Computers, Information and Society Special Interest Group, Society for the History of Technology, October 3, 2010, Tacoma, Washington, “Meta Filter: Coming to Agreement with Interactive Computer Technology” Center on Democracy in a Multiracial Society, University of Illinois, Urbana-Champaign, April 7, 2010, Roundtable, “Diversity and Democracy” conference, with Sam Smith, Ken Salo, and Ryan Griffis, “Reflecting on Campus-Community Interactions: Arts, Activism and Public Memory” Urbana Free Library, March 17, 2010, Urbana, IL, “Concepts in Public: The Art of Suzanne Lacy” (book talk) College Art Association Annual Meeting, February 2010, Chicago, IL, “Aspects of the Civic: Chicago’s Daley Center and Plaza” Community Informatics Initiative Research Series, January 27, 2010, Graduate School of Library and Information Science, University of Illinois, Urbana-Champaign, “Imperfect Community” GRANTS 2018, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Publication Grant, “Stephen Willats and the Social Function of Art: Experiments in Cybernetics and Society” 2015, Creative Capital | Warhol Foundation Art Writers Grant Program, Stephen Willats, 1970-2012 2015, Paul Mellon Centre for Studies in British Art, Stephen Willats, 1970-2012 2014, Colston Research Fellowship, Institute of Advanced Studies, University of Bristol (UK), Department of Drama: Theatre, Film & Television, “In the Margins? “Art in Public at Warwick and Brindley Estate, London.” In Community Spaces: Conception – Appropriation – Identity. Local Knowledge and Self-Organisation” 2011, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Research and Development Grant, “The Socio-spatial Practice of Artist Stephen Willats” 2003-2005, University of Illinois Research Board, “The Embodied Art of Suzanne Lacy” 2000-2001, University of Illinois Research Board, “Layers in the Loop: ‘Full Circle’ by Suzanne Lacy” PUBLICATIONS: Winner of David Gebhard Book Award of the Minnesota Chapter of the Society of Architectural Historians, 2000; Winner of Publication Award, Metropolitan Chapter of the Victorian Society in America, 2000; Finalist, Minnesota Center for the Book Award in History, 2000; published as e-book by Random House, 2010 Edward N. Edited by Maren Harnack, Tobias Michael Wolf, Sebastian Haumann, et al. (Berlin: ISR Impulse Online/Institut für Stadt- und Regionalplanung, 2015). “Spaces Of Connection: Implementing the Design of a High-Tech Learning Space for Youth.” In Community Matters: Service Learning and Engaged Design and Planning. Edited by Gabrielle Cody and Meiling Cheng (Routledge, 2015). Edited by Mallika Bose, Cheryl Doble, Paula Horrigan, and Sigmund Shepp. (refereed) “‘Great Gray Buildings’: The United States Army Supply Base in Brooklyn, New York.” Pp. (invited) “Hierarchies in the Circuitry: Women, Information Technology and Scholarship (WITS) at Illinois.” Technology’s Stories [online publication of the Society for the History of Technology] (November 2013). “Structures of Participation: Performing Local Knowledge.” 49:1(January 2008): 202-214. Three Interviews on the Concept of Spatial Justice.” Producer and interviewer.
Based in East Northamptonshire, the Nene Valley Astronomical Society (NVAS) exists to promote and advance the science of astronomy in this area, both amongst its members and the public. Founded in 2009, we currently have over 50 members ranging from those just starting out to more experienced amateur astronomers. All of our meetings and events are open to all, so if you are interested in finding out more then why not come along. Meetings are held on the first and third Monday of each month at Chelveston Village Hall, Caldecott Road, Chelveston NN9 6AT (off B645 near Higham Ferrers). Additionally, we also hold regular stargazing sessions on clear Friday evenings at Chelveston (apart from during a summer break). We don’t charge a joining or membership fee just £3 per person including tea/coffee and biscuits when we have an outside lecturer and £2 for Club nights. To celebrate the clubs 10th Anniversary the club will be hosting a dinner at The Vane Arms, Sudborough. Today’s ride was both initiated by GB, and created by him, so if you want to know where we went in detail, I’m sure it’ll be up on his blog in the fullness of time. Since, at the time of planning, he was an entirely achievable 53 miles off his 5500 mile goal, a longer rider than usual sounded like a mighty fine idea. Sadly I was 116 miles off my next marker post, and even I didn’t fancy doing that today! We set off into warmer than expected greyness at am this morning. By the time we reached Wedmore a degree of sartorial rearrangement was called for to cope. The winter hat went in the back pocket, the Buff moved from the neck to the head, and the winter jersey vents were opened. In Glastonbury we checked on Heaphy’s café which it would appear will be open tomorrow, in the event of me being up for a ride as planned. From there, in the usual dot to dot fashion, we went to Somerton and then Langport.
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